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Bernard-Albin Gras: The Brilliance of a Design Legend
In 1921, Bernard-Albin Gras created a range of lamps for industries and engineering offices. The GRAS Lamp stands out for its ergonomic design and the simplicity of its mechanics - no screws or soldering - which gives it unparalleled durability. But Bernard-Albin Gras was also one of the first designers of the 20th century. Not content with innovation, he added an original functional aesthetic to his creations, especially in the design of bases and linkages.
Quickly, Le Corbusier, drawn to the modernity of its design and its usability, adopted the range of GRAS lamps and incorporated them into his agency as well as into his numerous projects around the world. The GRAS Lamp then entered into legend. It was followed by Robert Mallet-Stevens, Jacques-Emile Ruhlmann, Eileen Gray, as well as Sonia Delaunay, Georges Braque... It was the first time in the history of lighting that a lamp was used in workshops, homes, and apartments. Today, this lamp is collected by enthusiasts worldwide, particularly in France, the United States, and Japan. Bernard-Albin Gras' innate sense of aesthetics has transcended time.
DCW Éditions has acquired exclusive rights to the GRAS lamp range.
Ilia Sergeevich Potemine: The Stroke of Genius
Ilia Sergeevich Potemine is a curious mind. With an Italian-Russian heritage and a passion for aviation, he veers off the beaten path. Instead of staying grounded, Ilia finds his inspiration in the skies, breaking free from conventional constraints to design avant-garde lighting fixtures.
His ISP lamp is a manifestation of this boldness. It defies norms, resembling more of a science-fiction masterpiece than an everyday object. With its revolutionary design, it conjures images of a futuristic relay baton, a mystical Nautilus, or a luminous ark. It's more than just a lamp; it's a vision of the future, an embodiment of purity and innovation.
Echoing the design legend Achille Castiglioni and drawing inspiration from Malevitch's suprematism, Ilia Potemine pushes the boundaries of contemporary design. With the ISP lamp, he invites us to embrace a new era of modernity. An era where simplicity meets sublimity.
Dominique Perrault & Gaëlle Lauriot-Prévost: The Illuminating Visionaries
In a few words, architect Dominique Perrault defines himself as: School, Break, Land art, Place, Happiness, Mesh. This mesh, a material both rigorous and poetic, has been at the heart of his inspiration. It evokes a presence as well as an absence, a structure that is both concrete and ethereal. Together with Gaëlle Lauriot-Prévost, they ingeniously incorporated this mesh into the design of innovative lighting fixtures for the Bibliothèque Nationale de France.
Dominique Perrault, beyond aesthetics, seeks profound meaning, dynamics, and context. His works, scattered across Europe and Asia, demonstrate an ability to integrate environment, culture, and functionality. His mark can be seen in Berlin, Luxembourg, Naples, Vienna, Lausanne, Seoul, and Osaka. His signature is synonymous with rarity and quality.
The collaboration with Gaëlle Lauriot-Prévost has given birth to the collections IN THE TUBE, IN THE TUBE 360°, and IN THE SUN. These creations mark a transition where the industrial becomes domestic, transforming raw power into soft and sophisticated light. As Perrault puts it, the use of these industrial elements in design is now natural, marking a fusion between the functional and the beautiful.
2015 - IN THE TUBE , IN THE TUBE 360°, IN THE SUN
Bernard Schottlander: The Balanced Artist
Born in 1924 in Mainz, Bernard Schottlander emigrated to England just before the war, where he immersed himself in the world of engineering as a welder. These skills, combined with his artistic training at the Leeds College of Art and the Anglo-French Art Centre in London, shaped his unique approach to sculpture and design.
Schottlander distinguished himself as an interior designer and outdoor sculptor. Under the guidance of his talented assistant, George Nash, who was trained in the British Royal Air Force workshops, he created pieces that blended art and engineering. Each work, handmade, reflected a constant quest for innovative forms, often in limited editions.
By devoting himself to sculpture from 1963, Schottlander explored movement as the primary driver of creation. Cleverly combining engineering and art, he developed balancing systems using materials that were both flexible and robust. His luminaires, reminiscent of delicately balanced mobiles, captivate with their play on balance and imbalance, void and fullness. They seem to defy gravity, oscillating in a poetic ballet of suspended elegance. In Schottlander's work, each piece is an invitation to dream, each luminaire is a dance of balanced elegance.
Bertrand Balas: The Awakening of a Quiet Talent
The journey of Bertrand Balas resonates as an ode to authenticity, humility, and the unexpected power of destiny. In an era where speed and immediacy often set the pace, his story stands out for its simplicity and sincerity.
After returning from Paris, a city too bustling for his taste, Bertrand retreated to Toulouse, his hometown, where he thrived as an architect and decorator for an affluent clientele. It was during a trip that destiny nudged him toward lighting design, bringing him into contact with the Raak company. Armed with a few sketches and cautious ambition, the young architect presented his designs, and to his great surprise, one of them was accepted.
He went on to create the iconic luminaire "Here Comes the Sun" among other creations. However, the demands of his work as an architect overshadowed his passion for design, causing him to set aside his design talents for many years.
But destiny struck again when Frédéric Winkler contacted him decades later, showing renewed interest in his luminous designs. This unexpected resurgence of his design career speaks to the timelessness and universal appeal of his work.
Bertrand's trajectory serves as a reminder that talent, even when set aside or forgotten, has a unique way of resurfacing, often when least expected. His story is a poignant reminder of the beauty of perseverance, authenticity, and how destiny can surprise even the most modest souls.
Jacques Biny: Maestro of Light
The 20th century was a flourishing period for design, particularly in the realm of lighting, and Jacques Biny stands as a prominent example. His vision and contribution to the evolution of lighting design were distinguished by his pragmatic approach and unwavering pursuit of excellence.
Hailing from Valence, Biny quickly identified a gap: the absence of modern and functional lighting fixtures. Instead of settling for what was available, he took the initiative to create his own designs for his clients. This entrepreneurial drive led to the founding of Luminalite, a company dedicated to cutting-edge lighting design.
But Biny was not merely a creator; he was also a visionary and collaborator. His ability to partner with other great names in design of his era showcases his openness and willingness to innovate by merging diverse perspectives. It wasn't just about creating aesthetically pleasing objects for him but reimagining how light interacts with space and individuals.
His obsessive quest for light quality is evident in every piece he created. Beyond aesthetics, Biny was deeply concerned with functionality, ensuring that each lamp, each luminaire, met user needs while being a design masterpiece. It is this fusion of form and function that made his work timeless.
His large-scale installations in cinemas, universities, and prefectures bear witness to the recognition of his expertise. Each project was an affirmation of his philosophy: that design, when done well, transcends time and space.
Jacques Biny's legacy is not just rooted in the objects he created but also in his design philosophy. His premature death in 1976 may have interrupted a burgeoning career, but his impact on the world of lighting design remains indelible.
Today, Biny's luminaires, such as the Biny Table, continue to shine, not only as witnesses of a bygone era but also as icons of modern design. In an ever-changing world, Biny captured the delicate balance between technology and aesthetics, leaving behind a legacy that will continue to illuminate for generations to come.
Éric de Dormael: The Luminous Artist
The art of lighting goes far beyond the mere production of luminaires. It's an art of storytelling, evoking emotions, and conveying feelings through beams of light and shadows. In this domain, Éric de Dormael is a maestro. Known for his unique creations, he sculpts light to be more than just a source of illumination: a decorative element, an artistic expression, and an immersive experience.
It's rare to find artists who can transform a space through light. Éric de Dormael's works are not just luminaires; they are luminous sculptures. The finesse, elegance, and delicacy of his creations offer a visual experience that captures the essence of lighting itself. They invite the viewer to immerse themselves in a world of reflections, patterns, and movements.
What sets Éric's works apart is their ability to evolve with the space they inhabit. Each piece is designed to interact with its environment, creating a harmonious dialogue between light, shadow, and surface. It's these subtle interplays between shadows and light that give his works their unique and captivating character.
Therefore, it is with great enthusiasm that we announce our collaboration with Éric de Dormael. This is an opportunity for us to expand our range and offer our audience unique pieces that transcend the conventional notion of lighting. Through this collaboration, we hope to bring a new dimension to the art of lighting while continuing to celebrate Éric's exceptional talent.
With Éric de Dormael, every lamp becomes a window into a world of emotions, images, and sensations. The art of light has never been so vibrant and poignant.
Simon Schmitz: The Art of Luminous Levitation
The world of luminaire design is vast and varied, but it's rare to find a creator who can truly transform an everyday object into a suspended work of art. Simon Schmitz, with his creation AARO, is one of those rare talents.
Hailing from the picturesque town of Arnsberg in Germany, Simon found his calling in the bustling metropolis of Hamburg. It was here, at the "School of Art," that he was immersed in the world of design, a realm where he had to learn to navigate on his own. His beginnings were humble, but they were foundational to his design philosophy: understanding the context is key. This led him to adopt a thoughtful approach in each of his projects, constantly asking the "why" question.
With AARO, this reflection materialized. Inspired by a simple and fluid gesture, Simon sought the purest and most functional form: the sphere. This perfectly symmetrical shape offers effortless movement and unlimited directional freedom. But beyond its functionality, the sphere is also a strong visual representation. It evokes feelings of harmony, balance, and unity. In the case of AARO, it became the beating heart of the lamp, the point around which everything revolves.
But Simon didn't stop at creating a simple luminaire. With AARO, he told a story. The story of objects that defy gravity, that dance in the air, that captivate and mesmerize. It's not just a lighting fixture; it's a performance, a luminous ballet in levitation. And this sense of spectacle is what truly sets Simon's works apart.
It's often said that true magic lies in the details. With AARO, Simon Schmitz proves that this magic can also be found in the simplicity, symmetry, and sincerity of a well-executed vision. In a world where everything seems grounded, he offers us a luminous escape that appears to float in weightlessness.
Sebastian Summa: Blacksmith of the Stars
Bavaria, with its lush valleys and snow-capped peaks, is the birthplace of Sebastian Summa. It's a place where tradition and modernity intersect, much like the man himself. Berlin, the bustling capital of innovation and creativity, is where he chose to establish himself. These two seemingly opposing worlds are reflected in Sebastian's work.
When one thinks of the world of design, some immediately envision sleek studios and elegantly dressed creators. Sebastian challenges this stereotype. In the heart of East Berlin, his workshop resonates with the sound of hammers striking metal, the whir of machines, and the brilliant glow of red-hot steel. This workshop, a sanctuary for a former blacksmith, is a reminder of his deep roots in the world of metallurgy.
It's not common to see an artist who began their career as a blacksmith before venturing into design. Yet, this unique transition provides Sebastian with a rare perspective. His familiarity with metal, his innate understanding of its form and function, gives rise to creations that blend ruggedness with delicacy.
But it's not just metal that inspires Sebastian. His gaze, often turned skyward, finds a muse in the vastness of the universe. Fascinated by astronomy and science fiction, he has envisioned a luminous object that evokes the ephemeral beauty of a shooting star. ORG is not just a lamp; it's a piece of a star that has found its place on Earth.
Contrast is the dominant theme in Sebastian's work. Raw steel meets elegant lines, industrial history blends with a futuristic vision, and a man working with heavy materials creates objects of surprising finesse.
Sebastian Summa is living proof that art knows no bounds or rigid definitions. In his Berlin workshop, he reminds us that every trade, every passion, every dream has its place in the vast universe of design. And, much like a shooting star, he shows us that with talent and vision, even the most fleeting of moments can leave a lasting impression.
ORG
2022 - NL12
Vantot - Redefining Light
When it comes to the world of design, there are creators who surprise you with their innovation, and then there are those who captivate you with their daring. Vantot, led by the dynamic duo Esther and Sam, unquestionably falls into the latter category. Their work, far from conventional, challenges our usual perceptions while infusing a fresh perspective on light.
Rooted in the cultural and intellectual richness of Eindhoven, these two graduates of the Design Academy have merged their individual talents to form a partnership of innovation and ingenuity. Their approach is clear: never settle for the first idea or the initial sketch. They push the boundaries, explore, experiment, shape, and reshape until they have the object that, in their view, transcends the ordinary.
Their passion for mechanics and movement breathes life into their creations. Where others might see merely a source of light, Vantot sees a mathematical puzzle, a technical challenge, a moving sculpture. Their ability to defy the obvious, to push the limits of what is familiarly accepted, places them among the most forward-thinking designers of their generation.
But what truly sets Vantot apart is their ability to find inspiration everywhere. For Esther and Sam, the world is an endless source of wonder. Whether it's the rhythmic cadence of a water droplet, the intricate patterns of a spider's web, or the unfathomable mysteries of the universe, everything is subject to interpretation and innovation.
Vantot's creations are not mere objects; they are invitations. Every luminaire, every "curtain" of VVV, offers us a journey into a universe where light becomes energy, movement, and emotion. The power emanating from their works is almost palpable, evoking the speed of a spaceship or the gravitational force of a distant star.
With Vantot, light is not just a mere function; it's an experience, an adventure, a redefinition of what is possible. In a world saturated with everyday objects, Esther and Sam remind us that beauty and innovation can be found in the most unexpected places, as long as we have the curiosity to look beyond the obvious.
Philippe Nigro: Between Dreams and Reality
From a renowned school in the heart of Paris to the international stage, Philippe Nigro has forged a path that embodies the duality of traditional French craftsmanship and Italian innovation. His passion and work ethic are reflected in each creation, making him an iconic figure in the world of contemporary design.
To establish oneself between Paris and Milan, two design capitals, is akin to living between two worlds: timeless French elegance and daring Italian innovation. Philippe, in his journey between these two worlds, has managed to capture the best of both, creating designs that speak a universal language.
His collaboration with Michele De Lucchi served as a springboard, offering him a platform to explore, learn, and ultimately, create. And create he did, with unwavering passion, from furniture to scenography; each project is a page in his personal journal that he generously shares with the world.
With "Respiro," Philippe goes beyond the mere design of a lighting fixture. It's an invitation to pause, to breathe, to reconnect with oneself and others. The name itself, meaning "breath" in Italian, evokes a gentleness, a caress—a reminder that sometimes, one simply needs to stop and take a deep breath. The light of "Respiro" is not just a source of illumination but a source of well-being, a reminder that in simplicity, comfort can be found.
Philippe's holistic approach is captured in his own statement: "The designer's work is to reason in its entirety." For him, design doesn't stop at creating an object; it's about how that object integrates into space, how it engages with the surrounding architecture, and, above all, how it impacts and enriches the lives of those around it.
Philippe Nigro is a storyteller through his designs. Each creation is an open window into his world, his thoughts, and his dreams. Through this window, he invites us all to breathe, to dream, and to rethink how we interact with our environment. In an ever-changing world, Philippe's voice is a welcome reminder of the importance of simplicity, functionality, and, above all, humanity.
Jean-Louis Frechin - Reinventing Light in the Digital Age
Amidst the creative turmoil that defines the digital age, there are thinkers and innovators who, far from getting lost in it, harness it to push the boundaries of what we understand and accept. Jean-Louis Frechin is undeniably one of these forward-thinking minds.
Trained at the intersection of industrial design, architecture, and digital innovation, Frechin is a pioneer who uses design as a means to explore and redefine our interaction with the world around us. The neo-objects he conceives are not mere functional devices; they are an experience, an extension of our reality.
The Frechin Lamp is an excellent example of this fusion of art, technology, and design. By reimagining the lamp, such a familiar object, Frechin reminds us of the inherent magic in light. This object does more than just illuminate our spaces. It interacts, evolves, and captivates. By manipulating light in innovative ways, it transforms an everyday element into a poetic experience, into an almost mystical object that evokes curiosity and wonder.
According to Frechin, this lamp is an interface—a gateway between the user and technology. It's not designed to be merely looked at but to be touched, manipulated, experienced. Interaction is at the core of its design, allowing the user to feel engaged in its operation and in defining its aesthetics.
For Frechin, breaking codes doesn't just mean going against the norm. It's an invitation to see beyond what we know, to embrace the unknown, and to shape it in a way that resonates with us. It's a call to create objects that speak to people, evoke emotions, and, in their own way, tell a story.
In an age where technology pervades every aspect of our lives, Frechin reminds us of the importance of humanity in design. By pushing the boundaries of what's possible and infusing poetry into the everyday, he offers us a renewed vision of what the coexistence of humans and technology can be in the digital era.
Studio BrichetZiegler - Blending Technicality and Poetry
In an era of fast consumption, where obsolescence has become the norm, Studio BrichetZiegler is a breath of fresh air. Founded by Caroline Ziegler and Pierre Brichet in 2010, the studio embodies a remarkable fusion of technicality and poetry.
The strength of their approach lies in their ability to see beyond the obvious. Instead of being solely driven by trends, they find inspiration in the materials themselves. It's a return to the fundamentals, where the starting point of a design is the material or the process, lending authenticity and uniqueness to their work.
But it's not just a use of materials in their rawest form. It's an exploration, a dance between the limits of what the material can do and the infinite possibilities it offers. This requires a deep respect and understanding of the material, a willingness to listen to it, learn from it, and shape it in a way that reveals its beauty and unique character.
And yet, despite this meticulous attention to technical details, there's a soul, a poetry in their work. That's what sets them apart. Their ability to marry technical rigor with beauty and emotion is what makes their creations both bold and timeless.
What's even more remarkable is their collaborative approach. Creation isn't the work of a single mind but the result of a team, working hand in hand, refining every detail, every curve, every texture until it reaches perfection. It's this collaboration that allows ideas to come to life, to grow, and to flourish, resulting in objects of striking beauty and exceptional durability.
Ultimately, Studio BrichetZiegler is a celebration of design in its purest form. A reminder that even in our modern world, there's still room for timeless beauty, outstanding quality, and, above all, poetry.
Grégoire de Lafforest - An Ode to Essence and Timelessness
Grégoire de Lafforest doesn't just design objects; he creates experiences. Although trained in interior architecture at the prestigious ESAG Penninghen, it's in furniture and object design that his heart finds its true calling.
At first glance, Grégoire's creations may appear minimalist, but closer observation reveals the complexity and depth of each piece. His passion for the tactile is evident in his works. The echo of the smell of wood, the softness of leather, the warmth of natural materials - everything is designed to awaken the senses.
It's this sensory approach that gives his work a timeless quality. In a world dominated by the digital and the ephemeral, Grégoire reminds us of the importance of touch, sensation, and connection. His works are not just objects but invitations to pause, feel, and reconnect with the tangible world.
But more than anything, what sets Grégoire apart is his commitment to authenticity. He doesn't seek to follow fleeting trends or create for the masses. Instead, he pursues a personal truth, a vision where design goes beyond function to touch the soul.
In Grégoire's studio, every object tells a story. He surrounds himself with objects that inspire him because, for him, creation is an act of love, a dance between the artist and his medium. In this ever-changing world, he reminds us that some feelings, some truths, remain eternal.
Yuji Okitsu - When Architecture Meets the Poetry of Everyday Life
Hailing from the vibrant city of Tokyo, Yuji Okitsu grew up immersed in the gentle rhythms of Senri New Town in Osaka, a contrast that nurtured his eye for subtle details. Trained at Denki University in Tokyo, it was with a master's degree in architecture that he embarked on his journey into the world of design and construction. But if you think his world is limited to walls, roofs, and foundations, you'd be mistaken.
Yuji's world is populated by moments: the sunbeam filtering through a window, the soothing sound of rain on a roof, the whisper of leaves in a gentle breeze. For him, architecture is not just a matter of bricks and mortar. It's the embodiment of the feelings and emotions one experiences in the most ordinary moments of daily life.
He possesses the rare ability to perceive what most of us overlook. "I focus on the events that touch the hidden strings in everyday life," he says. And this approach is evident in each of his creations. Rather than simply building spaces, he creates experiences. Every design, every line, every choice of material is informed by an intention to capture those fleeting moments that, though often overlooked, are essential to our humanity.
As an independent architect, Yuji has the freedom to follow his vision, unburdened by the traditional constraints of his profession. This allows him to merge different disciplines, from interior design to urban planning, art, and philosophy.
In a world where we are constantly distracted by technology and noise, Yuji Okitsu's work reminds us of the beauty and poetry that reside in the everyday. With each project, he invites us to take a moment, to breathe, and to rediscover the hidden wonders in the simplest of moments.
Charles Kalpakian - A Fusion of Heritage and Modernity
In tracing the contours of his life, one could say that Charles Kalpakian was always destined to create. Born in the magnificent cultural mosaic of Beirut, he carries within him the imprint of a city that is itself a multifaceted work of art. It's a city where the East meets the West, where tradition and modernity coexist and intertwine, much like in Charles's creations.
Collaborations with renowned agencies provided him with a platform to refine his art and skills. However, it was by launching his own design studio that he could truly explore and hone his unique voice. A voice that speaks of his Lebanese heritage, French street art culture, history, and modernity.
Each creation by Charles Kalpakian is a homage to his roots. His designs are infused with Lebanese patterns, calligraphy, and decorative arts, yet they are boldly modern. It's this juxtaposition, this interplay between the old and the new, that makes his work so captivating. His pieces are both nostalgic reminders and avant-garde statements.
He describes his travels as sources of "light," evoking specific places and moments. This light, Charles captures in his creations, allowing him to immortalize emotions, memories, and stories. As he aptly puts it, his pieces are paintings, drawings that one never tires of contemplating. It's this passion, this desire to express and evoke emotions, that makes Charles Kalpakian one of the most intriguing and inspiring designers of his generation.
Thierry Dreyfus - The Luminous Artist
Diving into Thierry Dreyfus's universe is like stepping into a room where every ray of light is intentionally placed, where each gleam, each shadow tells a story. This ability to sculpt light, to make it tangible, alive, and expressive, sets Thierry apart in the world of art and design.
It's one thing to illuminate a space, but it's an entirely different thing to do so in a way that captures an emotion, a moment, or an idea. This is where Thierry's genius comes into play. His approach transcends the mere utility of light to embrace its role as a tool of artistic expression. Where others see a light source, Thierry sees a blank canvas ready to be transformed.
It's, therefore, no wonder that he's highly sought after by fashion and design giants like Comme des Garçons, Raf Simons, Rhude, and Peter Marino. With them, he doesn't just create lighting for spaces; he crafts atmospheres, moods that become integral to the experience. His creations aren't just functional; they are emotional.
Thierry Dreyfus has a unique worldview: where some see the harshness and brutality of reality, he sees an opportunity for beauty. In this, he truly is the Deus ex-machina of modern lighting. When he seizes light, it's not merely to illuminate but to transform, to communicate, to evoke. In each of his installations, he captures the essence of light, holds it in his hands, and generously shares it with the world, constantly reminding us of the poetic power of light.
Clément Cauvet - The Child Artist of Light
Clément Cauvet's artistic journey is anything but conventional. The term "uncategorizable" suits him perfectly. With a childlike gaze, boundless imagination, and mastery of materials like concrete and metal, Clément creates a one-of-a-kind universe.
There's a childlike innocence in his approach. He doesn't adopt a typical technique or a proven method but rather a worldview shaped by curiosity and experimentation. When he speaks of his luminaires, you can almost visualize this young boy in his room, building worlds with his Legos, each piece representing a story, an emotion, a part of himself.
But make no mistake, Clément's works are not mere playthings. They are profound, thoughtful, and demonstrate an impressive understanding of shapes, materials, and light. The bold use of concrete and metal gives them a raw, industrial quality, and yet, when light passes through them, it reveals a gentleness, a subtlety that surprisingly contrasts with their robust construction.
This blend of past, present, and future is a signature of his work. The luminaires aren't just functional objects; they are bridges between eras, silent narrators that speak to us of bygone times, current moments, and future visions.
Clément Cauvet is undoubtedly a rare talent. His pieces, with their uniqueness and beauty, showcase his unique ability to combine childhood nostalgia with a modern and avant-garde perspective. For anyone fortunate enough to observe or own one of his creations, it's a genuine invitation to travel through time, to experience the world through the eyes of an artist who is both young at heart and wise in spirit.
Patrick Jouin - The Artist of Space and Light
The design of space is a discipline that, at first glance, may seem ephemeral and abstract. It is a field that requires a nuanced understanding of how humans perceive, interact with, and are influenced by their environment. It is precisely in this complexity that Patrick Jouin excels.
His education at ENSCI and his experience working with Philippe Starck, an icon in the world of design, laid the foundation for a career rich in innovation and avant-garde visions. However, beyond these experiences, it is his ability to perceive space and transform it that truly sets Patrick apart from others. Whether it's an object, a room, or an entire building, his approach is always centered on understanding space and how it interacts with those who inhabit it.
Patrick is not just a designer or an interior architect; he is a philosopher of space. In each of his projects, he doesn't stop at form or function alone but goes further by asking, "What is the true essence of this space? How can it be optimized, transformed, and adapted to better serve its users?"
One of the most revealing quotes from his philosophy is his reflection on light. For Patrick, light is not merely a functional or aesthetic element; it is the key to revealing and understanding the world around us. It shapes, defines, and illuminates space. It brings objects to life, creating shadows, textures, and tones that transform the ordinary into the extraordinary. By focusing on light, Patrick reminds us that design is not just about creating objects or spaces but about creating experiences.
Through his work, Patrick Jouin does not simply design or conceive; he invites us to see, feel, and live space in a new and enriching way. His creations are not just structures or objects; they are sensory experiences that deeply connect us to the world around us.
Giulia Liverani: Illuminating Innovation in Design
Giulia Liverani is a renowned Italian designer who is passionate about the interaction between light and space. As the co-founder of OliveLab, she combines innovation, quality materials, and new technologies to reimagine luminaire design.
Driven by a poetic vision of lighting, Giulia sees light not merely as a functional element but as an emotional force capable of furnishing a space and evoking wonder, magic, and beauty.
Her creation for DCW Éditions Paris, the "Tell Me Stories" lamp, reflects her user-centric approach, where every detail is designed with the real needs of the end consumer in mind. Beyond her work, she describes herself as a cat lover, a design enthusiast, and a lover of life in general, adding a personal touch to her professional profile.
Julie Fuillet – A Journey Off the Beaten Path
Architect D.P.L.G. and graduate of the École d’Architecture de Paris La Villette, Julie Fuillet did not take the most direct route to specialize in interior design and decoration. After working on luxury hotel projects in French Polynesia, she joined renowned Parisian agencies such as Jean-Philippe Nuel, Vincent Bastie, and Jean-Marc Lalo.
With DCWéditions, she designed the iconic wall lamp Rosalie, in collaboration with lighting designer Emeric Thiénot.
2022 - ROSALIE
Bruno Gecchelin – Aiming for a Half-Moon
Bruno Gecchelin, a key figure in Italian design during the 1970s and 1980s, made his mark with iconic lighting fixtures. After working at Olivetti alongside Ettore Sottsass, he founded his own studio in Milan. Collaborating with prestigious brands such as Arteluce, Venini, and Guzzini, he won the Compasso d’Oro twice.
For DCWéditions, he revisited his famous Mezzaluna floor lamp, a timeless masterpiece of Italian design.
1975 - MEZZALUNA
Douglas Mont – The Visionary Designer
Inspired by science fiction and the history of his family’s company Rispal, Douglas Mont revived the bestsellers of the 1950s in 2018, adding his contemporary touch. Specializing in modular design, he creates unique and sculptural lighting pieces. With DCWéditions, he unveils his first collaboration: the chandelier In The Air, an homage to essential and modular modernity.
2024 - IN THE AIR
Lutz Pankow – The Scientific Designer
Born in Lisbon in 1968 and raised in South America, Lutz Pankow was inspired by his father, an aeronautical technician. Trained by Alberto Meda and Roger Tallon, he merges technical expertise and aesthetics in his creations. With Munari, his first collaboration with DCWéditions, he introduces a graphic suspension lamp resembling a magnetic whirlwind, combining lightness and poetry.
2024 - MUNARI
