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CHAUMONT | DCW Éditions Paris
In the world of design and architecture, Marc Held stands out as a rare figure: a humanist visionary, an engaged creator, and a light sculptor. His career, shaped by ruptures and exploration, spans disciplines and eras with calm precision and enduring modernity.


Born in Paris in 1932 to a Jewish family of Central European origin, Marc Held grew up in postwar Bagnolet, steeped in communist ideals. At just 11 years old, he joined the French Resistance—a formative experience that would influence his worldview.
In the 1950s, he worked as a humanist photographer, theater instructor, and PE teacher, before discovering his true calling: design as an expression of everyday life.
In 1960, he founded the agency Archiforme, and later opened L’Échoppe in Paris, where he showcased his own work alongside the greats of Scandinavian, Italian, and German design. His iconic pieces, like the Primo Culbuto armchair or modular bookshelves, reflect his belief in radical functionality and democratic beauty.
Collaborations with Prisunic, Knoll, and Créateurs & Industriels cemented his place as a designer who shaped the daily lives of generations.
In 1964, Held created the Chaumont pendant light for his own apartment overlooking the Buttes-Chaumont park in Paris. Simple and timeless, it was designed for utility, visual comfort, and discreet spatial integration.
Now reissued by DCW éditions, Chaumont comes in two sizes. With its nickel finish and compatibility with PAR30 bulbs, it delivers soft, downward-focused lighting—functional and refined, just like its creator.
In the 1970s, Held turned toward experimental architecture. He designed steel Corten houses, furnished François Mitterrand’s presidential apartments, and created interiors for luxury cruise ships.
In 1989, he left Paris for the Greek island of Skopelos, where he designed several villas and fell in love with local vernacular architecture—captured in his book Houses of Skopelos.
Marc Held continues to create, notably designing an earth-built school in Senegal, a symbol of ecological architecture. His rediscovered photographic work from the 1950s–60s reveals a sensitive and universal vision of the world.